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It's a wrap! Or a warp. I like to offer you an informed choice. ;-)

Film: Nouvelle Vague, 2025, is US / French film about the making of A bout de souffle. So it's a Richard Linklater homage to Jean-Luc Godard - a movie god making a film about a god of cinema, or at least a godard of cinema. Exactly as you'd expect in every way. I felt it didn't quite deserve full marks due to minor blandness and predictability, but there are no actual faults with the film: the audience gets what it deserves. ;-) 4.5/5
P.S. That dance scene from Bande à part referenced again (but Le Week-End is still my fave recreation).
P.P.S. So, now I've mentioned the other film, Nouvelle Vague has a smart script with slick direction and cinematography and production... but it's also sorta shallow compared to Le Week-End, which gave audiences three truly great film actors* allowed space by the director to explore everyday human experience in depth. Both movies focus on trivia, one more intellectually and one more emotionally, but only one of them finds additional profundity. Quoting philosophical one-liners is not in itself a profound activity and any parrot can be trained to do it. Nouvelle Vague is a tribute, while Le Week-End is an original.
* Lindsay Duncan, Jim Broadbent, and Jeff Goldblum.

Film: Grass, a Nation's Battle for Life, 1925, US / Bakhtiari documentary film about the seasonal migration of 50,000 of the Bakhtiari (Lurs) and all their sheep, goats, cows, horses, donkeys, and dogs from exhausted pasture to fresh pasture, across several rivers including the Karun and over a snow covered mountain pass through the 4,221m Zard-Kuh subrange. Just crossing the river takes a week! (Spoiler for history: when the team considered remaking the film in 1947 they were told the migration was now done mostly in cars and trucks.) It is, of course, a silent movie, although the music track for the screening I attended was painfully ear-splittingly loud for no apparent reason. There are explanatory intertitles throughout, beginning with typical USian self-congratulatory racism about "Aryans" supposedly originating in West Asia and progressing westwards as civilisation progressed... with the implication that Hollywood is the peak of human culture, lmao (USians: so modest!). If you're wondering why the intertitles keep shouting "Yo, Ali!" it's because the Bakhtiari are Shia Muslims.
Presenter: Marguerite Harrison.
Conclusion: worth seeing on a BIG screen for the spectacle, but the commentary is as racist as most "Aryan" ethnography of the time. No rating.

Film: Köln 75, 2025, is a German film about... well, that's a problem because it doesn't know what it's about. Cut for moaning. )
Conclusion: the filmmakers and their male gaze didn't find Vera Brandes that interesting as a central subject, they couldn't focus on their hero Keith Jarrett, so they produced a confused hash spiced up with teenage girl sex-appeal for their chosen audience. No rating because the film is too inconsistent.
P.S. There's a documentary, Lost in Köln, 2025, which I haven't seen but I'm guessing would be a more worthwhile investment of time than... whatever this was that I watched.
P.P.S. Only fun if you understand German but... Floh de Cologne - Sei Ruhig Fließbandbaby.

* Piano tuners being a hot theme for movies made in 2025 for some reason?

Luzhou: City of Liquour and Spice

Mar. 21st, 2026 12:54 am
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As part of an ACFS-organised trip, I have arrived in China, where I'll be for close to three weeks. The overnight flight was to Shanghai, then a connecting flight to Guiyang, where, after a visit to a local traditional vinegar factory (which is a lot more interesting than it sounds), a fast train was taken to Luzhou for the China International Alcoholic Drinks Expo in Luzhou. This city is famous for its beverages and even goes by the name "City of Liquour", by which they primarily mean baijiu, a very strong rice, maize, or sorghum brandy. The Expo itself was enormous, spanning multiple pavilions and attracting several thousand people. Most of the stalls were for Chinese companies and drinks, but there was also a good number of French, Italian, and Spanish wines, along with an extensive range of Thai products as the guest country of honour. The conference opening was enormous, and I found the keynote speaker's presentation hilarious, as he gave the impression that a "rational level of tipsy" was truly the sign of a "civilised society with enhanced emotion".

As appropriate to my own flexible approach to such things, I imbibed a few samples slowly over the morning before heading off to two museums in the afternoon: the Luzhou Museum and Luzhou Laojiao National Treasure Cellars, which were also dedicated to baijiu production and trade. One provided a historical approach, noting that historians of technology (e.g., Needham) consider regulated fermentation with yeast to be one of China's great inventions. An interesting aspect illustrated first-hand was how baidju is partially produced in mounds of cellar mud, which enhances flavour (science!). The second museum was more contemporary in style, providing a rather amazing collection of the grand variety of baidju bottles which are often stylised for particular years, horoscope animals, life events, and sports. The highlight of this trip was the DIY production of a baijiu blend, combining relatively recent products of different strengths and three syringes of older brews. Thankfully, they were for adding small amounts to our blend, rather than mainlining the contents.

Mention must be made of the Howard Johnson hotel where we stayed; it was modern, stylish, and with an incredible guest lunch on our arrival and a successive buffet feast three times a day after that. Sichuan province is, of course, famous for its chilli with a variety of colours and strengths, and for the powerful Sichuan pepper, which numbs the lips and tongue. Add these to liberal doses of garlic, ginger, star anise, wuxiang, fruit peels, spiced salt, and you'll quickly find out why the region's capital is a UNESCO City of Gastronomy. When combined with baijiu, it is clear that the people of this city, in particular, and of this province, in general, like their flavours to have a kick like the strongest mule. Whilst it was a brief visit to the city, one really got the sense that this indeed deserves the appellation of "city of liquor and spice" and is well worth a more regular visit.
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Film the collective most wanted to see together but missed was Queer as Punk, 2025, which I mention because some of you might also be interested in a queer Malaysian punk movie.

Film: All That's Left of You, 2025, is an unexpectedly gentle and also thoughtful film about a Palestinian man and his family, told episodically from 1948 to 2022. I usually resent any film over the 2hr mark but this deserved and filled the 2hrs 25mins it took to tell these stories. The cinematography is decidedly beautiful, with Palestinian lives and homes being lit in warm colours. I hadn't read any spoilers so I'd no idea where these stories were heading beyond forwards in time from the Nakba through the First Intifada, and I was surprised by the later themes which I thought were extremely well handled despite their difficulties. An aspect of the film-making that drew my attention very early on were casting decisions for the two occasions during which we see close-ups of members of the Israeli military being abusive, when the actors chosen looked as much like the Palestinian lead as possible, so the first could have been his brother and the second a close cousin (a more diverse population was shown but the casting in these two incidents was clearly intentional).
Conclusion: I recommend watching All That's Left of You if you enjoy heartfelt family-themed films (also rated 12A - about PG-13 - despite the surrounding violence [/ reminder that European film ratings tend to be higher for violence (and lower for sex) than US ratings ]). 5/5

Film: Colours of Time / La Venue de l'avenir, 2025, is a lightweight middle-of-the-road French film exploring recent history through the lens of one family, and was clearly sponsored by the Normandy tourist authority (and good for them!). The casting suited the plot as well as the characters, the lighting was good, and all the very mainstream music - from acoustic to electronic dance - was spot on. Cliches are racked up constantly, but each is well done and forgivable (except possibly Monmartre as a romantic pre-suburb village, which was wholly unnecessary nostalgia that didn't rly work as commentary on the present and was balanced by the equally saccharine Ooo They've Got Electricity scene). The Obligatory Pride in French Arts Culture is offset by making it mildly amusing. Beekeeping featured as the vaguest form of token environmentalism. There is the most improbably upbeat and escapist take on teaching as a career. Warning for the usual pervasive French misogyny, albeit dialled down as this is intended to be a sweet story. Nonetheless I noticed the Stressed Businesswoman Who Just Needs a "Date" trope, and although the Women's Magazine Culture is Lol Lowbrow trope was offset by humour, there was also Historical Women Were All Sex-Workers. Also warning for glamourised recreational drug-taking. The best laugh line was "I got hit on by Victor Hugo!" and I'm absolutely not going to spoil the context, although for balance there was also a dreadful pun about cat/chat room filters.
Themes: family, love, nostalgic history. 5/5

Film: The Blue Trail / O Último Azul, 2025, is a Brazilian film, that I saw with the original soundtrack and subtitles (there seems to be a terrible dubbed trailer about too?). In a near-future dystopia, 80 year old people are bussed away to a "colony" for old people so they don't impair the economic activity of younger people... according to pervasive government messaging. Unfortunately for the protagonist, Tereza, the age limit is lowered to 77 only a few weeks before her 77th birthday. She is mandatorily retired from her job at an alligator processing factory (warning for animal death and dismemberment) and sent home to her small shack to await the inevitable. However, Tereza has other ideas and decides to flee in pursuit of her desire to fly. Along the way she meets a drug-taking riverboat courier who shows her a wild snail that excretes blue "drool" which induces visions in humans when used as eyedrops. Various snitches try to turn her in to the authorities, and her dream of flying crashes. But Tereza meets another riverboat traveller, on the rainbow-coloured Caridad (Charity - aka loving kindness), who might have an alternative dream for our heroine. But what will the visionary wild snail reveal about this, and how much will Tereza's renewed life cost her and the animals she inevitably continues to exploit (more warnings for animal death)?
Themes: exploitation, of people and animals and the environment; but also love and redemption (which has its price, like all redemption). Possible lesbian and/or female friendship themes but these are choose your own adventure interpretations.
Conclusion: beautiful, disjointed, occasionally upsetting, and partially individually redemptive. 4/5
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Over the past few weeks, I have had the opportunity to touch base with music, fine art, and film. In terms of music, I have been in excellent company with successive evening concerts and picnics at the Botanical Gardens, including Basement Jaxx, Leftfield, and Cut Copy, all of whom are significant international acts in the electronic dance genre. This said, all three bands played a number of their most well-known pieces (e.g., "Red Alert", "Romeo" from Basement Jaxx, "Open Up", "Release the Pressure" from Leftfield, "Time Stands Still" from Cut Copy") with great acumen and with surprisingly clarity, which is not always easy at an outdoor venue. It will make for multiple reviews on Rocknerd, even though I have reviewed a Leftfield concert in the distant past. Plus, in a completely different genre, I must also mention attending an EP launch for folkish performers Crittenden Tyndall with Jack Marshall.

Recently, I also have the National Gallery of Victoria for two special exhibitions. The first is the Westwood and Kawakubo fashion exhibit, with Westwood offering reinterpretations of British styles, especially in punkish tartan and flowing gothic gowns, whilst Kawakubo often presents extreme creations that remind me of the Bauhaus style. The latter is the 75 Years of Women Photographers, a magnificent 20th-century international and Australian collection that included the sort of flair that I normally associate with surrealist and abstract painting; Dora Maar, Lola Bravo, Annemarie Heinrich all caught my attention in particular. As an example of interactive art, I was also invited to a "Rats and Barbells" craft event, where I made Gandalf the Rat.

Moving on to film, Nitul (who was also with me at several of the aforementioned events) and I saw "I Swear" (hat-tip to Rade), a new film on the life of John Davidson. Funny, sad, and sometimes frightening, it was an honest and sympathetic view of people with the condition, with more than an inkling of hope. On a entirely different trajectory, I also attended of the opening of a science fiction film festival with the independent film, The Man Who Saw Them Arrive", mainly about Colin Cameron a UFO spotter who was based in Kew. The enthusiasm of other UFO spotters in the room required me to remind myself that this was a science fiction film festival.

Finally, and also on a related note, I attended some valedictory drinks for one John Atkinson, who recently died well before his time (thank you, Helen D, for organising the events). In his professional work, he was on popular Australian TV shows including "Chances", "Out of the Blue", "Home and Away", "McLeod's Daughters", etc., most of which I have little interest in, although the last episodes of "Chances" were hilarious . Personally, however, we got along quite well. He was one of my first flatmates in Melbourne, and we shared a mutual interest in French aesthetics, which definitely included red wine, cuisine, new wave movies, and fencing. Over the years, we managed to stay in touch after he moved interstate, and he could always entertain with stories of misadventures. Ever living the bon vivant lifestyle with passion, he was well-suited to his profession and would have done well in future years. Again, we are reminded of the shortness of life.
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https://transrightsreadathon.carrd.co/

March 17-31, 2026

The Trans Rights Readathon is an annual call to action to readers and book lovers in support of Trans Day of Visibility (TDOV) on March 31st.

We are calling on the reader community to read and uplift books written by and/or featuring trans, nonbinary, 2Spirit, and gender-nonconforming authors and characters.


As before, I would like to request that people shout out their favourite eligible books in the comments!
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[staff profile] mark in [site community profile] dw_maintenance

Happy Saturday!

I'm going to be doing a little maintenance today. It will likely cause a tiny interruption of service (specifically for www.dreamwidth.org) on the order of 2-3 minutes while some settings propagate. If you're on a journal page, that should still work throughout!

If it doesn't work, the rollback plan is pretty quick, I'm just toggling a setting on how traffic gets to the site. I'll update this post if something goes wrong, but don't anticipate any interruption to be longer than 10 minutes even in a rollback situation.

In which our heroine is charming

Mar. 13th, 2026 10:08 am
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[personal profile] spiralsheep
1. Have you ever watched illusion magic? Close-up, or in a stage show, or on television? Did it work for you?

I've seen illusionists on television and close-up in real life and even when I know how the trick is done I've never spotted the illusionist at work. They're magic to me in at least one sense of the word.

2. Have you ever wished on a star, or a lucky cat, or a coin in a wishing well? Did it work in some way?

Yes, I've wished on objects, but never believing the wishes would come true and none of them ever has. Most of my family aren't superstitious so we mostly did time or place specific traditional customs such as wishing on a poultry wishbone at xmas dinner or when blowing out candles on birthday cakes.

3. Have you ever cast a spell, made a love charm, or tried a curse? Did it work in some way?

I've asked for healing at special springs by leaving a traditional (biodegradeable) offering but, again, without believing any favour could or would be granted. Also, I expect the genii locorum prefer people who clean up their habitats by removing non-biodegradeable litter &c. Despite being a dedicated apatheist I also once asked for healing for a USian Christian friend at the shrine of St David in St Davids Cathedral in the city of St Davids before walking to the nearby holy well dedicated to his mother St Non (and then sent my friend the token I acquired at the cathedral and carried on pilgrimage - she was thrilled but not afaik healed). I was passing the well anyway as it's on a beautiful seaside cliff-top footpath. I was alone when I arrived but soon surrounded by a large group of women pilgrims, who'd walked from another direction, which was interesting because organised pilgrimage groups are an uncommon sight in the UK. I couldn't talk with any of them though because their guide was very LOUD and INSISTENT on having her group's ATTENTION. Fair enough as they'd signed up for it, and I'd already been blessed by a peaceful moment alone at the well (and my friend received the pilgrim token to tell her I cared about her).

4. Are there any other traditional superstitions you pay attention to? Do they work in some way?

My family didn't indoctrinate me with superstitions as I grew up so no to any magical element. But not walking under ladders, and paying attention to the weather and wild animals seems worth it, as does picking up stray pennies and buttons.

5. Would you want major magical powers like in a fantasy story? Which powers, and how would you use them?

Eep, NO! I'd probably end up as a medical experiment in a secret government research bunker. But I would like to have enough manual dexterity to palm things like a stage illusionist. I bet that skill would have all sorts of uses in addition to doing crime or stage magic....

6. And y'all? :-)
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#GNU PTerry Pratchett

Train, funny: children cheering for their destination station at every announcement. By the third time most of the other passengers were joining in and one of the women alighting at the same place stood up to perform a celebration dance. :D

Train, naughty: 30s guy on the phone to his parents claiming he was on a train to Liverpool was actually with his friend on a train to Caergybi / Holyhead (presumably for the ferry to Dublin).

Train, weird: two guys who had watched the Winter Olympics were having a competition to see who could sing the most national anthems, and I've never heard a Welshman and a Scouser get so far through O Canada before. :D

Film, bad: packed screening and, as usual, the only persistent cougher in the whole room was seated directly behind me. Did she cover her face effectively while coughing? She did not!
ETA, Friday 13th: And today's lone cougher was sat directly next to me, between me and the guy who arrived in a mask and presumably regretted taking it off so he could sip fluids during the film.

Film, good: same full house and the biggest laugh from the entire audience in unison was for the line: "I got hit on by Victor Hugo!" :D
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This Sunday, the Isocracy Network will be holding its AGM and, in addition to our usual AGM business, we will have a guest speaker and discussion on "Imperialism, Colonialism, Internationalism," which is particularly relevant to current events. The discussion will be led by Kevin Huynh, JD, who is an avid observer of current world events. Reflecting this interest, Kevin has a honours degree in Politics and International Studies from the University of Melbourne, and holds a Juris Doctor from Monash University. The meeting will be held in person and online. Please message for online details. Unsurprisingly, I have tentative definitions for consideration and discussion.

Imperialism is the control, direct or indirect, of another country. With direct imperialism, a foreign country imposes direct political rule over another country (e.g., French West Africa, British India, Spanish America, Dutch East Indies, Belgian Congo). Indirect imperialism occurs when one country controls the affairs of another country through political influence and economic dependency, for which there is no viable alternative to the sovereign country (e.g., the United States over Latin American countries). Indirect imperialism can also include vassal states, where a country is provided local autonomy for internal affairs but international relations and defence depend on the imperial power (e.g., Tibet and the Chinese Qing Dynasty Empire).

Indirect imperialism can change to direct imperialism and revert back again depending on the rise and fall of independence movements (e.g., Iran under Mossedeq was subject to a US/UK backed coup, indirect imperialism with the Consortium Agreement) or it can result as a concession to the controlled country (e.g., the Unequal Treaties imposed on China, Korea, and Japan). With the dominant power controlling and exploiting the human and natural resources of the foreign country, imperialism was often justified as part of a "civilising mission" (e.g., "mission civilatrice") to bring improvements, stability, education, etc. A famous (and astoundingly racist) example was Rudyard Kipling's poem "The White Man's Burden".

Colonialism is separate but often a part of imperialism. Colonialism involves the deliberate migration of one ethnic group into another country, which may already be populated by indigenous people. Colonial efforts in these circumstances often involve supplanting or subjugating the original population (e.g., the British to Australia).

Now for some trickier questions; how does imperialism relate to globalisation, in a world economy and a world system? Is globalisation replacing nation-state imperialism? Is foreign military intervention justified for humanitarian reasons (e.g., responsibility to protect)? What are the procedures in which this should occur? What is the difference, if any, between globalisation and internationalism? A lot to cover in a two-hour meeting, but one thing is for sure; we're still seeing a particularly nasty side of imperialism occurring to this very day.

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jennifergearing

May 2011

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About Jen

A 20-something fat, queer woman of colour living in Australia.

Reading: Fond of speculative and YA fiction, social justice theory in various forms. Would love to see more rounded fat/queer/female/of colour (and multiples of the above) characters in fiction.

Writing: Sometimes blogs at Hoyden About Town, dabbles in fiction now and then, hoping to find her creativity again.

Watching: Fond of sci-fi/fantasy television, with a strange weakness for cop shows. Would love to see more rounded fat/queer/female/of colour (and multiples of the above) characters on television.