In which there is a belated happy Persian new year (according to the bus queue)
Mar. 21st, 2026 07:00 pmIt's a wrap! Or a warp. I like to offer you an informed choice. ;-)
Film: Nouvelle Vague, 2025, is US / French film about the making of A bout de souffle. So it's a Richard Linklater homage to Jean-Luc Godard - a movie god making a film about a god of cinema, or at least a godard of cinema. Exactly as you'd expect in every way. I felt it didn't quite deserve full marks due to minor blandness and predictability, but there are no actual faults with the film: the audience gets what it deserves. ;-) 4.5/5
P.S. That dance scene from Bande à part referenced again (but Le Week-End is still my fave recreation).
P.P.S. So, now I've mentioned the other film, Nouvelle Vague has a smart script with slick direction and cinematography and production... but it's also sorta shallow compared to Le Week-End, which gave audiences three truly great film actors* allowed space by the director to explore everyday human experience in depth. Both movies focus on trivia, one more intellectually and one more emotionally, but only one of them finds additional profundity. Quoting philosophical one-liners is not in itself a profound activity and any parrot can be trained to do it. Nouvelle Vague is a tribute, while Le Week-End is an original.
* Lindsay Duncan, Jim Broadbent, and Jeff Goldblum.
Film: Grass, a Nation's Battle for Life, 1925, US / Bakhtiari documentary film about the seasonal migration of 50,000 of the Bakhtiari (Lurs) and all their sheep, goats, cows, horses, donkeys, and dogs from exhausted pasture to fresh pasture, across several rivers including the Karun and over a snow covered mountain pass through the 4,221m Zard-Kuh subrange. Just crossing the river takes a week! (Spoiler for history: when the team considered remaking the film in 1947 they were told the migration was now done mostly in cars and trucks.) It is, of course, a silent movie, although the music track for the screening I attended was painfully ear-splittingly loud for no apparent reason. There are explanatory intertitles throughout, beginning with typical USian self-congratulatory racism about "Aryans" supposedly originating in West Asia and progressing westwards as civilisation progressed... with the implication that Hollywood is the peak of human culture, lmao (USians: so modest!). If you're wondering why the intertitles keep shouting "Yo, Ali!" it's because the Bakhtiari are Shia Muslims.
Presenter: Marguerite Harrison.
Conclusion: worth seeing on a BIG screen for the spectacle, but the commentary is as racist as most "Aryan" ethnography of the time. No rating.
Film: Köln 75, 2025, is a German film about... well, that's a problem because it doesn't know what it's about. ( Cut for moaning. )
Conclusion: the filmmakers and their male gaze didn't find Vera Brandes that interesting as a central subject, they couldn't focus on their hero Keith Jarrett, so they produced a confused hash spiced up with teenage girl sex-appeal for their chosen audience. No rating because the film is too inconsistent.
P.S. There's a documentary, Lost in Köln, 2025, which I haven't seen but I'm guessing would be a more worthwhile investment of time than... whatever this was that I watched.
P.P.S. Only fun if you understand German but... Floh de Cologne - Sei Ruhig Fließbandbaby.
* Piano tuners being a hot theme for movies made in 2025 for some reason?
Film: Nouvelle Vague, 2025, is US / French film about the making of A bout de souffle. So it's a Richard Linklater homage to Jean-Luc Godard - a movie god making a film about a god of cinema, or at least a godard of cinema. Exactly as you'd expect in every way. I felt it didn't quite deserve full marks due to minor blandness and predictability, but there are no actual faults with the film: the audience gets what it deserves. ;-) 4.5/5
P.S. That dance scene from Bande à part referenced again (but Le Week-End is still my fave recreation).
P.P.S. So, now I've mentioned the other film, Nouvelle Vague has a smart script with slick direction and cinematography and production... but it's also sorta shallow compared to Le Week-End, which gave audiences three truly great film actors* allowed space by the director to explore everyday human experience in depth. Both movies focus on trivia, one more intellectually and one more emotionally, but only one of them finds additional profundity. Quoting philosophical one-liners is not in itself a profound activity and any parrot can be trained to do it. Nouvelle Vague is a tribute, while Le Week-End is an original.
* Lindsay Duncan, Jim Broadbent, and Jeff Goldblum.
Film: Grass, a Nation's Battle for Life, 1925, US / Bakhtiari documentary film about the seasonal migration of 50,000 of the Bakhtiari (Lurs) and all their sheep, goats, cows, horses, donkeys, and dogs from exhausted pasture to fresh pasture, across several rivers including the Karun and over a snow covered mountain pass through the 4,221m Zard-Kuh subrange. Just crossing the river takes a week! (Spoiler for history: when the team considered remaking the film in 1947 they were told the migration was now done mostly in cars and trucks.) It is, of course, a silent movie, although the music track for the screening I attended was painfully ear-splittingly loud for no apparent reason. There are explanatory intertitles throughout, beginning with typical USian self-congratulatory racism about "Aryans" supposedly originating in West Asia and progressing westwards as civilisation progressed... with the implication that Hollywood is the peak of human culture, lmao (USians: so modest!). If you're wondering why the intertitles keep shouting "Yo, Ali!" it's because the Bakhtiari are Shia Muslims.
Presenter: Marguerite Harrison.
Conclusion: worth seeing on a BIG screen for the spectacle, but the commentary is as racist as most "Aryan" ethnography of the time. No rating.
Film: Köln 75, 2025, is a German film about... well, that's a problem because it doesn't know what it's about. ( Cut for moaning. )
Conclusion: the filmmakers and their male gaze didn't find Vera Brandes that interesting as a central subject, they couldn't focus on their hero Keith Jarrett, so they produced a confused hash spiced up with teenage girl sex-appeal for their chosen audience. No rating because the film is too inconsistent.
P.S. There's a documentary, Lost in Köln, 2025, which I haven't seen but I'm guessing would be a more worthwhile investment of time than... whatever this was that I watched.
P.P.S. Only fun if you understand German but... Floh de Cologne - Sei Ruhig Fließbandbaby.
* Piano tuners being a hot theme for movies made in 2025 for some reason?